The first part of the performance takes place on the 4th floor of the hotel. The audience will find themselves in the long-defunct soviet hotel’s interior, with windows overlooking the evening city.

This piece is a 5 solo dances about insurmountable traumas. All five of them are located in the same physical space, although their stories do not enter into dialogue with each other. Often structures are repeated, movements are mirrored, anticipations are repeated, but the pain remains unshared.

In this masculine architecture, women crash the massive columns and walls, open the windows, close them with a noise. As if something or someone precious might return, but the anticipation of this joy turns into a sudden disaster.

The melancholic calmness of the evening grows in the anxiety of the people who survived the war.

The evening song ends with the slow and unhurried movement of the woman returning from the bread line towards the corridor.

It is already night in the windows, and the viewer is instructed to go down one floor.

The second part takes place in the balcony hall. The audience watches the joyous dance of the "Synchronised Swimmers of the Waterless Pool" from above.

Everything around us is solemn and hysterically trying to convince us that everything is very well!

The last part of the performance is without music. The only sound we hear is a repeated instruction: "CHECK OUT, PLEASE!"

At first, the dancers appear on the stairs with bags, and then start moving towards the exit, following semi-structured directions.

Gradually, the dance and the soundscape return to an extremely grounded reality.

The dancers move to the hotel lobby with the audience, go out into the street, fill the pavement with bags, and then disappear.